The songs.
Hundreds of them, in Kreyòl and in langaj — African-derived phrases nobody can now translate and everyone still sings. Each belongs to a lwa and to a point in the service. The theology is in them, along with the complaints, the jokes and the history, and a manbo's standing is measured by how many she holds.
Vodou has no book. The corpus is a body of hundreds of songs, in Kreyòl and in langaj — fragments of African languages, chiefly Fon and Kongo, preserved phonetically and no longer translatable by the people who sing them. Each song belongs to a lwa and to a moment: songs to open, to salute Legba, to call each nanchon in order, to greet a lwa on arrival, to send it away, to accompany specific acts. They carry the theology, the history, the complaints and the humour, and they are how children learn the religion. A manbo or oungan's competence is measured directly by the number of songs held and by knowing the correct order, which cannot be improvised. Since nothing is written, the death of a senior practitioner removes material, and the tradition has no mechanism for recovering it beyond another practitioner who happened to know the same songs.
The same ground, other faiths
claims that share this one's ideasSign in to open the first thread. Everything here is attributed.