The Great Being is Humanity, and most of it is dead.
Comte's object of worship is the species as a continuing organism. Since the dead outnumber the living enormously and built everything the living use, the dead are most of what is being worshipped.
Comte's Great Being is not a metaphor and he was irritable with followers who tried to make it one. It is Humanity conceived as a single continuous organism extended through time, and worship of it is presented as literally appropriate rather than as a useful fiction. The membership is selective: Comte excluded those he judged to have been merely parasitic on the species, which means the Great Being is a moral community rather than a biological one, and someone is doing the excluding. Its depiction as a woman holding a child is a deliberate transposition of the Madonna, on the reasoning that the emotional machinery of Catholicism worked and only its object was wrong.
The same ground, other faiths
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