The inner audience.
While performing the outward rite, the priest holds an interior visualisation — the body's own spirit officials assembled, the memorial carried up, the celestial court in session. The two are held to be one act. A priest doing only the visible half is, in the tradition's own view, doing nothing at all.
Cunxiang or cunsi, visualisation, is the interior half of Taoist liturgy and the tradition regards it as the operative half. While the visible ritual proceeds — the memorial read, the offerings presented, the steps of the Dipper paced out — the officiating priest is simultaneously conducting an internal sequence: summoning the spirit officials resident in his own body, dispatching them, visualising the memorial ascending, and entering the celestial court where the petition will be received. The outer performance is the form the inner journey takes in the world. Ritual manuals accordingly contain two registers of instruction, the audible and the internal, and the internal is often the part a master transmits orally and does not write. The corollary, stated plainly in the tradition, is that a priest who performs only the visible actions accomplishes nothing, however correct they look — which is also why the register and the training matter more than the choreography.
The same ground, other faiths
claims that share this one's ideasSign in to open the first thread. Everything here is attributed.