Shinto

Tradition·Founding date unrecorded·est. ~100 million ritual participants, loosely held

Shinto → 1 branch

Branch
Rite of Shinto

Kagura.

Dance performed for the kami rather than for the audience — facing the sanctuary, to flute, drum and bells. The village forms in Takachiho and Iwami run all night, thirty-odd numbered pieces, with the audience drinking and dozing through the slow ones and waking for the serpent.

⏱ seasonal — at the matsuri and on the shrine's own days◌ shrine maidens, or villagers in the older forms
What happensMasked or unmasked dance to flute, drum and the ring of bells, performed facing the sanctuary rather than the audience
What it needsA stage in front of the hall, and in the village forms, a whole night
What it aims atEntertainment for the kami — the account traces it to Uzume dancing outside the cave. Kagura in Takachiho and the Iwami region runs from dusk until dawn
Understanding it — context, not catechism: how this rite is held

Kagura is dance offered to the kami rather than performed for an audience, and dancers face the sanctuary. The tradition traces it to Ame-no-Uzume outside the cave. Two broad kinds exist: mikagura, the formal court version performed at the imperial palace and at Ise, and satokagura, the village forms, which are vastly more various and more alive. Iwami kagura in Shimane and Takachiho kagura in Miyazaki are the famous ones: masked, costumed, accompanied by flute and taiko, and performed through the night in a village hall or a shrine stage, with thirty-three numbered pieces in the Takachiho cycle and an audience that drinks, eats and dozes through the slow sections and wakes for Yamata no Orochi. Some of it is broad comedy and some is genuinely frightening. Takachiho's yokagura is designated Important Intangible Folk Cultural Property and is performed nightly in an abbreviated tourist version and in full only in winter, by the villages themselves.

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