When the egungun comes out.
Before dawn, covered entirely, moving strangely, speaking in a voice that is not a human voice, attended by young men with switches who keep people at a distance. The tradition does not treat this as a man in a costume representing an ancestor. Women traditionally may not approach, which is itself a live argument.
The egungun masquerade appears at annual festivals and at family occasions, coming out at or before dawn. The costume, the ago egungun, is made of layered strips of cloth, often lavish, built up over generations and treated as an object of great power; some carry carved headpieces. The performer is completely concealed, moves in a manner marked as non-human, and speaks in a disguised voice. Attendants, the atokun, control the crowd with switches. The masquerade functions as more than commemoration: historically egungun societies exercised real judicial authority within the lineage, delivering judgments and public rebukes that carried weight precisely because they were not attributable to a living person. Egungun crossed the Atlantic and survives in Brazil, notably in the Egungun cult of Itaparica island in Bahia, one of the few African ancestor masquerade traditions to have been reconstituted in the Americas.
The same ground, other faiths
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